We encourage you to provide feedback on the track to Sicko and D-Loc,
and you can do so by sending your message via email to: voicesbehindwalls@gmail.com. Thank you.
"...I've done a lot of wrong in my lifetime,
Live my life the evil ways, and always committing a crime,
When I got sentenced, I knew I had it comin',
So I took it like a man, instead of Always Running,
If I make it out the struggle the choice is on me,
and if I change my ways, maybe then I'll succeed,
but until then, gotta see where I'm destined,
How my life turns out, living free or in detention..."
On May 28th, 2011, our scheduled Voices Behind Walls
workshop took place at the J. Paul Taylor Center. That Saturday
afternoon I passed out our program agenda titled 'The Graphic Novel' which
discussed the release of Greg Neri & Randy duBurke's Yummy the Last Days
of a Southside Shorty and Percy Carey & Ronald Wimberly's
Sentences: The Life of MF Grimm. Within that agenda we also
included several topics from The Beat Within one of those titled
"Decisions". In the prompt it asked, "While you are in juvenile hall
you have a lot of decisions to make about whether you follow court orders to
stay away form your friends, drugs, a specific neighborhood, etc. Is
there a decision you need to make that you are worried about? What is
that decision? Have you thought about what the effects of your choice
will be either way? Describe the pros and cons about making (or not
making) that decision?" About a month later, Manny aka Sicko and
DeSean aka D-Loc walked into our workshop with the concept for a track in
response to The Beat Within topic. The instrumental was found on
youTube titled "Chicano Rap Instrumental #6".
Earlier this
year Manny had entered our workshop and introduced us to
his talents by freestyle rapping for the those in attendance. At the time and for
several years, I've been recording mostly youth's acapella poetry, rap, &
instruments (e.g. guitar, keyboards, beatbox, etc.). We've also conducted
several audio recordings with beats by playing the instrumental from a
boombox in the background and having the youth rhyme in one take while
capturing the boombox audio behind them. Manny watched our recording
process and recomended that we allow him to show us how to use the
equipment & computer programs properly and turn our recordings into actual studio recordings.
Ever since Manny started participating, our workshop has never been the same.
He's led our recording sessions and has taught us all the method
of recording studio quality songs with our laptop, mixer, and MXL microphone.
I first heard DeSean aka
D-Loc on a track called "The System" along with Flaco who had recorded
several tracks with a staff member from JPTC. We will be making "The
System" available via our VBW Sessions youTube soon. Lyrically, DeSean
is one of the most talented MCs I've had the priveledge of working with at
JPTC and along with Manny they've recorded several tracks that we hope to
make available soon.
The "Decisions" marks a whole new beginning for
the Voices Behind Walls workshop thanks to Manny's understanding of music
production
and the participation of JPTC's MC/poets. Manny revolutionized our
approach to recording and has established a unique method of recruitment
amongst other youth that are interested in learning. Recently, he also
involved his brothers on the outside who produce music and have provided
original instrumentals that we'll be releasing as official VBW singles in
the future.
These singles will be burned onto Verbatim Digital Vinyl CD-R's and will
include the following tracks: 1) the song lyrics + beat, 2) the acapella,
and 3) instrumental version.
Over the years, from El Paso to JPTC,
whether it was Joseph's (from Delta) recommendation that we call our program
Voices Behind Walls in 2006, or M.Gomez's first publication in the Beat
Within in 2007, or Richard's recording of poetry + rap versions of his
writing, or Gaby's social + politcal + artistic interpretations of her
thoughts, or Mousey & Oden's production skills on the Keyboard, and now
Manny, DeSean, Blue's talents as true MCs (Manny also as producer), and also
the emergence of graphic artist such as Joseph A. (JPTC) - over the years
these youth have contributed priceless talents to the growth of our
program and the documentation of thier work through our platform online and
in print with groups such as The Beat Within.
I
encourage all that are familiar with the process of recording and that have
a passion for the expressive arts, especially Hip Hoppers out there, to
share some of the knowledge with all youth, especially in spaces where these
resources may be challenging to setup. You never know where you'll
find some of our most talented young people.